Thursday, December 29, 2011

Bollywood blockbusters we hated in 2011

Contrary to box office results, here’s why we hated some of the biggest Bollywood blockbusters this year 2011 has been the year of many disappointments, especially in Hindi cinema. In most cases, the hype generated before the release rarely lived up to the promise. While many of these films actually managed to pull in the audience purely for their star appeal, in retrospect, we still can’t get ourselves to see them in a different light. Here’s our list Bollywood blockbusters that failed to impress

RA.ONE




Science fiction is an oxymoron. And when this genre is sprinkled with moronic humour and logic takes a beating from hell, you know you've punched your tickets for 'R.A.One'. With metallic blue and red costumes right out of Falguni Pathak's wardrobe, this out-of-console experience offers laughs, dances and androids touching humans in more ways than considered socially acceptable.  Insert coin to read more.

Bodyguard


The beauty of a Salman Khan film is that it doesn't claim to be anything but just that. But when you pack in sappy melodrama, clichéd characterisation, a pathetic love story and action scenes choreographed in outer space, not even a Katrina Kaif item number can save the day. Read more

Rockstar

This film says that depression, apart from making one horny, ignites the artist in one. But our lead, Janardhan Jakhar/JJ (Ranbir Kapoor) was neither adopted, nor abused as a child to feel down enough to become like his idol, Jim Morrison. So, to pursue pain, JJ flirts with college hottie and serial heart-breaker, Heer Kaul (Nargis Fakhri). He hopes to be dumped, shattered and consequently become a musical genius. But following several awkward proposals, JJ and Heer actually bond over doing wild things, which they trigger off by saying, ‘gandh machaate hain!’ Read more
Desi Boyz


Movies on recession focus on two things: the trying state of affairs on being sacked or career options that are recession-proof. 'Desi Boyz' combines the two. Ironically, our lead duo lose their shirts to the global meltdown and then end up becoming male escorts, a profession that thrives on shedding of clothing. And since this could make our censor board a bit queasy, the filmmaker provides enough moral policing to almost seem like a statutory warning on how disgraceful this career choice can be. Read more



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